Download Citation on ResearchGate | The Leschetizky method: a guide to fine and correct piano playing / Malwine Brée | Traducción de: Die grundlange der. This legendary manual in both English and German documents principles and techniques of the legendary piano teacher Theodor Leschetizky, who taught. As a teacher, Leschetizky claimed he had no method, at least not in the rigid technical sense. The method he taught was the study of the score in the minutest .
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Put together, there was a sublime and unpredictable continuity of feeling about the piece as it took shape in one’s newly minted interpretation. I look far down the street and imagine a beautiful voice, and I learn that far away ‘pp’ quality – that means attention” For him “the best study could be done away from the piano The influence of his teaching, of which the technique was just a tool, could be best be judged from observations on how his many famous students played.
Most of his music has been out of print since the early twentieth century except for the Andante FinaleLeschftizky. Basic Principles in Pianoforte Playing. Leschetizky himself, at least by jethod time he became famous, did not teach children, unless their talent bordered on the genius. Leschetizky enumerates the essential qualities of good work as follows; First, an absolutely clear comprehension of the principal points to be studied in the music an hand; a clear perception of where the difficulties lie, and of the way in which to conquer them; the mental realizations of these three facts before they are carried out by the hands.
The Leschetizky Method: A Guide to Fine and Correct Piano Playing
His composition teacher was Simon Sechteran eminent professor who was the teacher of many other successful musicians. At the invitation of his friend Anton Rubinsteinhe went to St. Petersburg Conservatory of Music in Padarewski said; The method of Leschetizky is very simple. Retrieved 31 March To make an effective accelerando, you must glide into rapidity as leschetjzky as a train increases its speed when steaming out of a station. Reprint of The Leschetizky Method: With Piano Questions Answered.
The Groundwork of the Leschetizky Method (Brée, Malwine)
In one word – it is the method of methods. We can all afford to cultivate that quality There are principles, you will agree, that are to be uniformly inculcated in every pupil – leschefizky is breadth, softness of touch and precision of rhythm. For the rest, every individual is treated according to his talent.
Each student’s interpretation of a piece was fashioned to the student’s personality. No one else ever seemed interested to know. Approved by Leschetizky himself, the clear, easy-to-follow text, profusely illustrated with music examples and photographs of hand positions Leschetizky’s own handscovers every aspect of piano technique: If you think yourself a poor specimen, you will probably always remain one, or most likely become one, but if you think of yourself as having the possibilities of greatness in you, there is a chance for you.
From tohe was assisted by one of his students, Ethel Newcomban experience which proved a fertile ground for background research for her book, Leschetizky as I Knew Him. This organisation was co-founded by the Belgian pianist Peter Ritzen. In he returned to Vienna and began teaching there, creating one of the most eminent private piano schools in the world.
His father gave him his first piano lessons and then took him to Vienna to study with Carl Czerny. Stop and think if you played it in the way you meant to do; then only, if sure of this, go ahead.
What they all had in common was the absence of all inessential movements. By the age of eighteen he was a well-known virtuoso in Vienna and beyond. Here are some recollection of his teaching and sayings: If you are going to play a scale, place your hand in readiness on the keyboard in the same position as you would if you were going to write a letter – or to take a pinch of snuff. Born in Poland inTheodor Leschetizky was a pianist, teacher, and composer.
While in Russia he married one of his most famous students, Anna Essipovathe second of his four wives, with whom he had two children; one of them was his daughter, the well-known singer and teacher, Theresa, the other was his son Robert. Sit at such distance from the keyboard that when the arms are easily bent, the finger tips may rest on the keys with easy effort, and the feet reach the pedals comfortably.
Each of the phrases in the dissecting process would be different and separately perfect. This page was last edited on 12 Decemberat Leschetizky as I Knew Him.
Leschetizky’s teaching methods
The elbows should be held neither too close to the sides nor too far away; moreover, they should be on a level with the keys, or be held but a very little higher. Leschetizky’s Fundamental Principles of Piano Technique. Benno Moisewitsch remarked that Leschetizky never taught two pupils the same piece in the same way, that there was a sense of urgency about his music making; “Whatever he did was intensely felt and shaped to that ideal: He told Ethel Newcomb: Views Read Edit View history.
A pupil himself of the great Carl Czerny, Leschetizky went on to instruct an entire generation of world-class pianists, including Paderewski, Schnabel, Moiseiwitsch, Brailowsky, and many others. Leschetizky composed over a hundred characteristic piano pieces, two operas: These are also the qualities which are predominant in the playing of Leschetizky’s pupils. For instance, when you go out for a walk, hold your umbrella with the tips instead of in the palm of the hand.
Without concentration, remember, you can do nothing. My own recollections of the playing of Horszowski and Moisewitsch bears this out. Remaining there from tohe was head of the piano department and one of the founders of the St. Joseph Leschetizky, his father, was a gifted pianist and music teacher of Viennese birth.
Any student and teacher of piano will want to have this classic instruction manual, difficult to locate in the past, but now available in this attractive, inexpensive edition.