KENNAN TRUMPET SONATA PDF

Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. : Sonata for Trumpet and Piano: Edition, Part(s) ( ): Kent Kennan: Books. Kent Wheeler Kennan was an American composer, author, educator, and professor. Giuseppe Galante – Kent Kennan: Sonata for Trumpet and Piano: I. With.

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A large portion of the movement is based on this theme Dearden This first statement begins in minor, goes through Phrygian, and ends in major Dearden McNamara, Anne Kovarik None of these keys state a third, so there is no way to tell whether they are major or minor, just like in the first movement Dearden This piece is difficult in many ways.

Movement III — Moderately Fast, with Energy Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden The first theme then returns, once again, but it is altered much more than it was when it was stated the second time Dearden The last time that the first theme returns, it is in an inverted form and played in the piano while the trumpet is playing something totally different Dearden This made the piece much easier to perform McNamara Views Read Edit View history.

This article on trumpwt United States composer born in the 20th century is a stub. The American Trumpet Sonata in the s: The main motive that trrumpet introduced in the first movement appears frequently in this theme Dearden The Coda The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden This theme is only in the piano part Dearden Some analyze this movement as being in sonata form, krnnan others analyze it as being in rondo form Dearden The piece ends with a trumpet fanfare in E-flat Dearden Retrieved 8 June The development begins after a short transition from the exposition Dearden All of the themes from the exposition are written in the recapitulation Dearden In the coda, the trumpet is playing with a harmon snoata and playing G, the dominant of C, until the last measure, when the line finally resolves to the tonic Dearden The transition into the cods is mostly based on the transition theme from earlier in the trumpeg Dearden This melody has some occurrences of the main motive that begins the first movement: This is followed by a restatement of the main theme in a new key and at a slow tempo, making it lyrical at first, then transitioned to the original tempo and style Dearden You are commenting using your WordPress.

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The three pitches in the first measure begin with the leap of a perfect fifth up, followed by a whole step Dearden The coda only uses fragments of the first theme with a modified rhythm Dearden The fanfare leads into the slurred motive that is mostly comprised of eighth notes Dearden To find out ,ennan, including how to control cookies, see here: University of North Texas, The second theme has the same character as the first theme, but it is melodically based sonnata the intervals of triads instead of the main motive that is introduced in the first movement Dearden You are commenting using your Twitter account.

Movement II — Rather Slowly and with Freedom The second movement begins with a trumpett introduction that is made up of a G that stretches to three octaves Dearden The material in the coda moves from A-flat, to F, then to D-flat, and ending in B-flat for the cadence that ends the piece Dearden It is based on the secondary theme and uses accents to make the meter difficult to figure out by simply hearing it Dearden The rest of this movement is based largely around this main theme Dearden Kennan wanted to write in trumpeg similar style of those who he admired, so he modeled his writing style after Sonataa Hindemith and Howard Hanson, a teacher of his McNamara The piano plays an ostinato under the light, lively trumpet melody Dearden

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