KAPUSTIN ETUDES OP 40 PDF

The music of Nikolai Kapustin has made a minor flurry in the classical music His Eight Etudes, Op, partake of the 19th-century tradition of the concert-etude . The compositions of Nikolai Kapustin (born ) are almost all for piano, either solo or 1 “Sonata-Fantasy” for piano (); Op. Eight Concert Etudes for piano (). No. 1 in C major “Prelude”; No. 2 in A-flat major “Reverie”; No. The two sets of etudes included in this study are Kapustin’s Eight Concert Etudes, op. 40 () andFive Etudes in Different Intervals, op. 68 (). These two.

Author: Tygodal Dak
Country: Bahamas
Language: English (Spanish)
Genre: Music
Published (Last): 25 November 2008
Pages: 273
PDF File Size: 3.69 Mb
ePub File Size: 15.34 Mb
ISBN: 631-7-40968-542-8
Downloads: 12397
Price: Free* [*Free Regsitration Required]
Uploader: Zulkihn

Retrieved from ” https: Wandering for piano solo Op. Duet for alto-saxophone and cello Op. Theme and Variations for piano Op. This page was last edited on 29 Decemberat Views Read Edit View history.

Concert Etudes (8) Op. 40 Piano

Sonata for violin and piano Op. Recommended with unquenchable enthusiasm! Nocturne for piano and orchestra Op. His compositional brilliance is a profound addition to piano literature and deserves to be fully recognized and preserved for the future. Rondoletto for piano Op. Concerto for cello and orchestra Op. Update Required To play the media you will need to either update your browser to po recent version or update your Flash plugin.

List of compositions by Nikolai Kapustin – Wikipedia

Don’t show me this message again. Seven Polyphonic Pieces for piano the left hand Op.

  LIBERTANGO BRASS PDF

No 8 Prestissimo is similar in style and mood to Nos 1 and 3, but more compact. Eight Concert Etudes, OP.

List of compositions by Nikolai Kapustin

From Wikipedia, the free encyclopedia. Divertissement for two flutes, cello and piano Op. Concert Rhapsody for piano and orchestra Op. Twenty-Four Preludes for piano Op.

Introduction and Scherzino for cello solo Op.

With the positive reception of Kapustin’s music of late, public awareness of his eclectic and original compositional style—the musical marriage of classical formal structures and jazz-based melodic and rhythmic idioms within the Russian pianistic tradition—has greatly increased.

Piece for two pianos and orchestra Op.

Capriccio for piano 4 hands Op. Three Impromptus for piano Op. Concertino for piano and orchestra Op. Chorale and Fugue for orchestra Op. Toccata for piano and orchestra Op. Hyperion offers both CDs, and downloads in a number of formats. Introduction and Rondo for piano solo Op. Kapustin’s piano etudes, in particular, are a considerable contribution to standard etude repertoire that remains understudied. Paraphrase on the theme of Paul Dvoirin for piano Op. Day-Break “Sunrise” for piano Op. Sonata for flute and piano Op.

Sonata for cello and piano No. March for orchestra Op. Something else for Piano solo Op. Nearly Waltz for cello and piano Op.

Concerto for double-bass and symphony orchestra Op. Curiosity for piano solo Op. Holy Cow for piano solo Op.

He has written 20 piano sonatassix piano concertiand other compositions for ensembles such as five saxophones and an orchestra Op. Hopefully, as the reputation of his etudes grows, these newfound treasures will only help encourage and expedite the publishing of more of Kapustin’s works, introducing more people to his music and establishing him more ka;ustin a mainstream composer.

  IN NOMINE SATANIS PDF

Triptych for two pianos, four hands Op.

Nikolai KAPUSTIN – A Performer’s Perspective By Leslie De’Ath – Jun MusicWeb(UK)

Search Enter search terms: The compositions of Nikolai Kapustin born are almost studes for pianoeither solo or accompanied. The purpose of this study is to facilitate further understanding of Kapustin’s works and his mature writing style, and to discuss how these etudes contribute to the existing piano etude repertoire, thus promoting their future accessibility and performance.

The lack of thorough research and related kapusin on his works, combined with the difficulty of obtaining his compositions in the West, make this study relevant and a pertinent start to shed more light on the composer and make his works more approachable for contemporary pianists and jazz connoisseurs alike.

Piano Quintet Op. No 1 Allegro assai tears out from kapusrin starting gate with a twelve-bar introduction that quickly transports us to the crowded streets of Rio de Janeiro at the height of Carnival season. Fantasia on three children’s songs for orchestra Op.