STYLISTIC FOREGROUNDING. Definitions and concepts. • Foreground is a term usually used in art, having opposite meaning to background. • It’s a very. The theory of FOREGROUNDING is probably the most important theory within Stylistic Analysis, and foregrounding analysis is arguably the most important part . Foregrounding • Shklovsky saw defamiliarization as accompanied by feeling: stylistic devices in literary texts “emphasize the emotional effect of.
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Foregrounding can occur on all levels of language  phonologygraphologymorphologylexissyntaxsemantics and pragmatics. From Wikipedia, the free encyclopedia. For example, the last line of a poem with a consistent metre may be foregrounded by changing the number of syllables it contains. This page was last edited on 6 Novemberat They have the same overall grammatical structure grammatical parallelism and some of the words are repeated in identical syntactic locations.
The words ‘ foreground ‘ and ‘ foregrounding ‘ are themselves foregrounded in the previous paragraph. The foregroubding common way of introducing this stylisttics patterning is by repeating linguistic structures more often than we would normally expect to make parts of texts PARALLEL with one another.
Firstly, most of the poem deviates from ‘normal’ language primary deviation. To sum up, we can say that: The other words are in lower case, but they are capitalised.
Views Read Edit View history. Parallelism can be described as unexpected regularity, while deviation can be seen as unexpected irregularity. Foregrounding is the practice of making something stand out from the surrounding words or images.
One way to produce foregrounding in a text, then, is through linguistic deviation. So, for example, if you look at the last three sentences of the previous paragraph you should feel that they are parallel to one another. Wikipedia articles needing clarification from June There are two main types of foregrounding: In addition, there is secondary deviation in that the penultimate line is unexpectedly different from the rest of the poem.
The first two are very similar parallelism and the third one starts out as similar, but our expectations are thwarted when it turns out different in end deviation. This context can be relatively narrow, such as the immediate textual surroundings referred to as a ‘secondary norm’  or wider such as an entire genre referred to as a ‘primary norm’ .
They often consist of three parts or characters. Nursery rhymesadverts and slogans often exhibit parallelism in the form of repetition and rhymebut parallelism can also occur over longer texts.
For example, jokes are often built on a mixture of stylistkcs and deviation. Cummings there are two types of deviation: You may find it helpful, after you have found out more about these topics, to revisit those earlier parts of this website and think about them in terms of foregrounding theory.
Cummings there are two types of deviation:. Retrieved from ” https: In the following poem by E.
Ling , Topic 3 (session A)
Another way is to introduce extra linguistic patterning into a text. The other words are black but they are multi colour ed. Note that lots of the things we explored in terms of special meanings and effects in the analysis of particular texts and textual extracts in Topics 1 and 2 can be re-cast in terms of deviation, parallelism and foregrounding.
They stand out perceptually as a consequence of the fact that they DEVIATE graphologically from the text which surrounds them in a number of ways.
Foregrounding – Wikipedia
The Prague School and Theories of Structure p. This would be an example of a deviation from a secondary norm.
Something can only be unexpectedly regular or irregular within a particular context.