The ENSONIQ serial number label must appear on the outside of the Unit or tho ENSONIQ warranty is void. •ENSONIQ, ESQ 1, Mirage and MASOS are. Ensoniq ESQ-1 () Synthesizer 61 keys: 8 voices, short spectral PCM wavetable and analog filters. Listen to audio demos manual, demo, video, comments. As with every ENSONIQ product, all ESQ-1 service will be handled through the ENSONIQ The ESQ-1 Service manual is divided into four different sections and .

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The Pedal gives you a handy alternative Modulation source when, for example, you would want to use the Mod Wheel but both hands are busy. In this fashion you can string Sequences together in real time, as they play. Allowed data dumps to disk drives capable of accepting generic system exclusive messages.

Each Song can be given a name of up to six characters. For a given ESQ 1 Program, this number is: See p for more details. The Current Program the one you are editing will be Layered combined with the Program whose name appears immediately to the right see 5 belowand both Programs will play simultaneously. We need some way to distinguish between “Normar Synth operation which is what this half of the Manual is concerned with and what happens when one of the Tracks of a Sequence is selected.

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Ensoniq ESQ1 and ESQm Digital Wave Synthesizer and Sequencer Manuals | House of Synth

Though there are many different tasks that are performed from this Esq- the Display always leads you logically ewq-1 the one you want, with a series of Menus and Dialogue Pages. In a synthesizer we imitate these effects, and create wholely new ones, by generating Envelopes and then using them to modulate pitch, volume, brightness, etc.

If you ensonqi play a second key while holding down the first, the note will glide from the pitch of the first key to that of the second. Unlike Sequences, you can’t switch Songs while one is playing. For most recording, the recomended settings are: Suppose you switch on your stereo, and turn the volume half way up We can call this the Manual Volume setting. You’ll notice that when changing Program parameters on the ESQ 1, you must restrike a key in order to hear the change.


Priority is given to the fast note played – even if another note ensoiq being held down, the most recent note you play will sound. Or you can apply the Keyboard KYBD 2 as a Modulator to make the low keys play on the left side, the middle keys in the middle, and the high keys on the right side of the stereo mix When a Track is selected: The format of this message is identical to the Mirage wavesample dump absolute data message described in the MIDI documentation included in mamual Mirage Advanced Samplers Guide.

I’ve done some thorough research and am clear on what Audio outputs are provided for true stereo, as well as a mono output.

For example, if the Filter Cutoff Frequency is manually set to its maximum value ], you will not be able to modulate the Frequency any higher with an Envelope or other Modulator. But where applicable, the factory Programs follow mznual conventions. Two Voices will alternate playing the note If it is struck repeatedly. When playing back a Song, any changes you make to a Sequence will only be saved if you instruct the ESQ 1 to save them, as described earlier.

Each note you play uses a little over three Bytes, so when all the Internal Sequencer Memory about Bytes is available, you can record about notes. For each successive Track you Record, the procedure will follow the same lines: This allows you to select ESQ-1 Sequences as well as Songs from a remote sequencer, computer or drum machine, and vice versa.

ENSONIQ ESQ-1 Musician’s Manual

The Programmer is made up of: Keys that have been released will not bend, even if they are being sustained by holding down the Sustain Foot Switch. Whenever you get an error message white transferring Data by Tape or vra MIDI, the message will remain on the Display until you endoniq one of the front panel buttons. If you want to combine Sequences that were recorded at different times, and stored in different places, into the same Sequencer Memory, this is a handy function.

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To Select a Cartridge Sound: Contains, in equal amounts, only four harmonics — 1st, 2nd, 4th, 8th.

There are a few possible routes to confusion here. You can load them back in after the Cartridge has been inserted. Whenever you get an error message while transferring Data by Tape or via MIDI, the message will remain on the Display until you press one of the front panel buttons.

The old Step 3 is now Step 4. By using mamual same Sequence for several Steps, and transposing some of the Steps, you can save time and Sequence Memory. Negative Modulation Depths are particularly useful here. Due to “”jitter”” on the part of the Data Entry Slider, parameters on Programming pages and Tempo on Sequence pages will sometimes jump to the present value of the slider.

The Page always comes up in the Punch Out state, so you don’t have to worry about accidentally recording anything. Try the Procedure again.

I nacti ve Butto na 8 p pear i n Whi te Note: Your Track is still selected underlined. Notice that for each button you press, the Display changes to show you information related to that function. Any Envelope can be routed anywhere you want it to go except to DCA 4and some Programs will call for different applications. It will stay at that level until it’s changed.

Erasing a track enosniq. You’ll soon appreciate the ease and clarity with which it allows you to modify, or just keep track of, a great many variables.