I would imagine Ludovic Morlot and Karl-Heinz Steffens are thrilled – in a Gore Vidal ‘a little part of me dying when a friend succeeds’ sort of a way – that their. Henri Dutilleux. Métaboles, for orchestra. Composition Information ↓; Description ↓; Parts/Movements ↓; Appears On ↓. Share on. facebook · twitter · tumblr. Find album reviews, stream songs, credits and award information for Dutilleux: Métaboles; Sur le même accord; Symphonie No. 1 – Paavo Järvi, Orchestre de.
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The remainder of the movement opposes freer melodies on the clarinet, flute, and trumpet to the E naturals.
Métaboles – Wikipedia
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The piece is cast in five overlapping movements that are played without pause. The work is in five linked movements.
The whole orchestra then rushes headlong into a rousing coda. Dutilleux indicates that “towards the end of each piece, a new motif appears as a filigree under the symphonic texture and ‘sets the bait’ for the next piece, and so on Tout un monde lontain; Metaboles; Mystere de l’instant.
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Henri Dutilleux – Métaboles () – Music Sales Classical
Correspondances Dutilleuc sonnets de Jean Cassou Le temps l’horloge. Retrieved 22 January Rainy Day Relaxation Road Trip. Ainsi la nuit Sonatine for Flute and Piano.
Introspection Late Night Partying. Similarly, an idea presented in a double bass solo becomes the seed for the third movement, which is dominated by brass instruments and in the fourth movement, percussions outline a slowed-down reminiscence of the preceding section.
Dutilleux ‘s use of percussion is highly inventive in using motion to suggest a lack of motion.
Compositions by Henri Dutilleux compositions Compositions for symphony orchestra Music commissioned by the Cleveland Orchestra Classical composition stubs. This article about a classical composition is a stub. Streams Videos All Posts. Retrieved from ” https: The strings only have ditilleux melody for a brief period in “Incantatoire,” and that brief melody becomes the basis for the second movement, “Lineaire,” written solely for the strings. The E natural becomes a pivotal point for the entire work.
Métaboles, for orchestra
This page was last edited on 2 Septemberat It opens with a series of chords played by the woodwinds and centered on E natural, with short interjections by pizzicato strings and harp. The Cambridge Companion to the Orchestra. After Henri Dutilleux completed this work, which was commissioned by the Cleveland Orchestra under George Szellhe looked up all the words beginning with the prefix “meta-” dutileux the dictionary to find a title for it.
The Harvard Biographical Dictionary of Music. After all the instruments have entered playing characteristic music from the first four movements, the winds play the E natural chords from the first movement. In the early s, Dutilleux wanted to move away from traditional musical forms and develop new structures that changed according to the internal logic of a particular piece.
Throughout the movement, there is only one prominent melodic line at a time, which gives it a “linear” feel. AllMusic Featured Composition Noteworthy.
In Dutilleux ‘s piece, the word describes the structure of the work, as each of the five brief orchestral movements is a transformation of the movement that succeeds it, and the final movement combines all that has come before. This new idea then serves as the basis for the next series of metamorphosis.